Wednesday, January 19, 2011

ALBUM OF THE WEEK - JOURNEY's ESCAPE


JOURNEY's  ESCAPE

Living up to the moniker originally given them via a San Francisco radio contest, Journey traveled a restless, often less-than-promising arc as a prog-centric quartet during the early '70s. But the addition of Steve Perry's soaring tenor to the mix on 1978's Infinity instantly changed the band's fortunes, which arguably peaked on this 1981 release. 

While Neal Schon's lyrical guitar work remained a staple, it was Perry's unabashedly mainstream pop ballad sensibilities that carried the album to the top of the charts and multiplatinum sales via its trio of era-defining hit singles, "Who's Crying Now," "Don't Stop Believing," and "Open Arms."

Wednesday, January 12, 2011

ALBUM OF THE WEEK - SCORPIONS' WORLD WIDE LIVE


 SCORPIONS' WORLD WIDE LIVE

Since the Scorpions' career was at its peak, World Wide Live could not have been recorded at a better time. This 19-track album contains all of their early-'80s hits, and while they aren't as energetic on-stage as they are in the studio, the band still perform with a great amount of flamboyance. The record is the Scorpions' only worthwhile live album and is a must for their fans.

3 sides of a 2 record set on 1 CD.

Recorded live from January 1984 to February 1985.

Jump on rock you like a hurricane.........

Monday, January 10, 2011

There all coming to Australia - Here's another rock icon

 
Motörhead play loud, fast, dirty, bluesy rock `n roll with an unrivaled, ruthless attitude; obnoxious yet dignified. For over 35 years the band has maintained their strong hold as a force of unrelenting sonic power, pounding their music into the ear drums of audiences all over the world.
 
See Motörhead return to Australia with legendary lead singer
Ian `Lemmy` Kilmister to raise hell in the service of rock `n roll in 2011.
 
 



Official Motorhead website - http://www.imotorhead.com/

Wednesday, January 5, 2011

ALBUM OF THE WEEK - ACDC's POWERAGE


ACDC's Powerage (Atlantic ‘78)     Rating: A

Many critics dismiss early AC/DC and run straight to Highway To Hell and Back In Black. I don’t know why, but I’d advise you not to make the same mistake, because Powerage is another fun party record that's filled with gloriously unhinged guitar licks from riffmeister Angus Young matched to a terrific batch of tunes. And though originality isn’t this bands stock in trade, their kickass beats (AC/DC are one of the greatest groove bands ever) and Bon Scott’s ragged screeches render such concepts as trivial. Besides, this is one of the few AC/DC albums devoid of any obvious filler. I mean, even a lesser track like “Gimme A Bullet” grooves like nobody’s business, while “Gone Shootin’” even offers up a relaxed (and quite good) change of pace. 

Elsewhere, the escalating blooze beats of “Down Payment Blues” are matched to a lyric that we can all relate to, though the band’s misogynist streak unfortunately rears up its ugly head on “Kicked In The Teeth,” one of the album's lesser tracks. Even so, the song still rocks, and the band’s lean, ferocious assault produces other undeniable hard rock winners such as “Rock N’ Roll Damnation” (which has the album's catchiest chorus), “Riff Raff” (Angus at his best), “Sin City” (Bon at his best), and “What's Next To The Moon” (like the aforementioned, even better “Down Payment Blues,” notable for its great toe tapping groove). Sure, none of these songs are major AC/DC classics, but Powerage is chock full of minor classics, even though it's less heavy than its pummeling predecessor, possibly due to a less lively production that yields a tinnier sound. 

But the songs are catchier and yes, better overall, especially since the band still supplies plenty of wattage. In short, no fan of this electrifying band should be without this killer album, which can power up any party. Note: Cliff Williams replaced Mark Evans on bass guitar duties on this album, giving the band not only a better bass player but another backup singer along with ace rhythm guitarist Malcolm Young (Angus' older brother and by most accounts the band's actual leader). P.S. I'd argue that Powerage is the most underrated and unjustly ignored album from the Bon years, being all but ignored by radio, and the band themselves have played little from it live over the years (really only "Sin City" and "Riff Raff"), nothing in recent times. In short, this album is for the diehards - most of whom love it.