Wednesday, January 19, 2011

ALBUM OF THE WEEK - JOURNEY's ESCAPE


JOURNEY's  ESCAPE

Living up to the moniker originally given them via a San Francisco radio contest, Journey traveled a restless, often less-than-promising arc as a prog-centric quartet during the early '70s. But the addition of Steve Perry's soaring tenor to the mix on 1978's Infinity instantly changed the band's fortunes, which arguably peaked on this 1981 release. 

While Neal Schon's lyrical guitar work remained a staple, it was Perry's unabashedly mainstream pop ballad sensibilities that carried the album to the top of the charts and multiplatinum sales via its trio of era-defining hit singles, "Who's Crying Now," "Don't Stop Believing," and "Open Arms."

Wednesday, January 12, 2011

ALBUM OF THE WEEK - SCORPIONS' WORLD WIDE LIVE


 SCORPIONS' WORLD WIDE LIVE

Since the Scorpions' career was at its peak, World Wide Live could not have been recorded at a better time. This 19-track album contains all of their early-'80s hits, and while they aren't as energetic on-stage as they are in the studio, the band still perform with a great amount of flamboyance. The record is the Scorpions' only worthwhile live album and is a must for their fans.

3 sides of a 2 record set on 1 CD.

Recorded live from January 1984 to February 1985.

Jump on rock you like a hurricane.........

Monday, January 10, 2011

There all coming to Australia - Here's another rock icon

 
Motörhead play loud, fast, dirty, bluesy rock `n roll with an unrivaled, ruthless attitude; obnoxious yet dignified. For over 35 years the band has maintained their strong hold as a force of unrelenting sonic power, pounding their music into the ear drums of audiences all over the world.
 
See Motörhead return to Australia with legendary lead singer
Ian `Lemmy` Kilmister to raise hell in the service of rock `n roll in 2011.
 
 



Official Motorhead website - http://www.imotorhead.com/

Wednesday, January 5, 2011

ALBUM OF THE WEEK - ACDC's POWERAGE


ACDC's Powerage (Atlantic ‘78)     Rating: A

Many critics dismiss early AC/DC and run straight to Highway To Hell and Back In Black. I don’t know why, but I’d advise you not to make the same mistake, because Powerage is another fun party record that's filled with gloriously unhinged guitar licks from riffmeister Angus Young matched to a terrific batch of tunes. And though originality isn’t this bands stock in trade, their kickass beats (AC/DC are one of the greatest groove bands ever) and Bon Scott’s ragged screeches render such concepts as trivial. Besides, this is one of the few AC/DC albums devoid of any obvious filler. I mean, even a lesser track like “Gimme A Bullet” grooves like nobody’s business, while “Gone Shootin’” even offers up a relaxed (and quite good) change of pace. 

Elsewhere, the escalating blooze beats of “Down Payment Blues” are matched to a lyric that we can all relate to, though the band’s misogynist streak unfortunately rears up its ugly head on “Kicked In The Teeth,” one of the album's lesser tracks. Even so, the song still rocks, and the band’s lean, ferocious assault produces other undeniable hard rock winners such as “Rock N’ Roll Damnation” (which has the album's catchiest chorus), “Riff Raff” (Angus at his best), “Sin City” (Bon at his best), and “What's Next To The Moon” (like the aforementioned, even better “Down Payment Blues,” notable for its great toe tapping groove). Sure, none of these songs are major AC/DC classics, but Powerage is chock full of minor classics, even though it's less heavy than its pummeling predecessor, possibly due to a less lively production that yields a tinnier sound. 

But the songs are catchier and yes, better overall, especially since the band still supplies plenty of wattage. In short, no fan of this electrifying band should be without this killer album, which can power up any party. Note: Cliff Williams replaced Mark Evans on bass guitar duties on this album, giving the band not only a better bass player but another backup singer along with ace rhythm guitarist Malcolm Young (Angus' older brother and by most accounts the band's actual leader). P.S. I'd argue that Powerage is the most underrated and unjustly ignored album from the Bon years, being all but ignored by radio, and the band themselves have played little from it live over the years (really only "Sin City" and "Riff Raff"), nothing in recent times. In short, this album is for the diehards - most of whom love it.

Wednesday, December 29, 2010

ALBUM OF THE WEEK - METALLICA's METALLICA



Metallica's Metallica
Everyone laughed when Spinal Tap released a black album, everyone took Metallica seriously when they did the same thing. Surely the most controversial album cover of all time?

This album signified the change of direction of the power metal band, and broke them to new audiences globally……unlike Spinal Tap, this was a chart topper and still resonates today……

Enter the sandman……

Wednesday, December 22, 2010

ALBUM OF THE WEEK - ACDC's IF YOU WANT BLOOD


At a time when the band was running hot….and to fill up an opportunity to keep fans satisfyied…..ACDC released a live album…….this really did capture the energy and raw nature the band had on the road, and importantly reinforced to all and sundry they were a power house in the making….

Everyone was outraged after Angus Young was depicted as being impaled on a guitar onstage. Bemusingly, Bon Scott singing, “Any virgins in Glasgow?” during ‘The Jack’ was met with much less clamour.

Some of the tracks on this album are still in the main set performed by the band, and surprisingly, the title of the album did not appear as a song until the acclaimed "Highway to Hell" album in 1979…..

If you haven't listened to this album, do your self a favour and crank it to 11…….and as Bon said….what's rock with out the noise?

Sunday, December 12, 2010

ALBUM OF THE WEEK - Joe Satraini's Surfing with the Alien


Joe Satraini
Surfing with the Alien
First on our tour of objet d'art, let's take a look at the aesthetically pop-art cover from Joe Satraini, Surfing with the Alien. Reminiscent of an Andy Warhol or, even more so, American comic pop-art icon Roy Lichtenstein, this album cover employs primary colours, sharp, speeding lines and the Silver Surfer-inspired pseudo-male futuristic character. The balance of both depth and line are well dissected by his placement on the centre of the canvas.

Wednesday, December 8, 2010

Rock culture from the mid 70's - Melbournes Sharpies


Rare 1974 insight to Sharpies in Melbourne. By Greg Macainsh.
Lobby Lloyd and Billy Thorpe concert at the Melbourne Showgrounds.

Sharpies (also known as Sharps) were members of suburban youth gangs in Australia mainly from the 1960s to 1980s, particularly in Melbourne, but also in Sydney and Perth to a lesser extent.
The term comes from their focus on looking sharp. The dress and dance styles were strongly influenced by the British ska, mod and skinhead subcultures, and many of the Sharpies were British immigrants, recently arrived as "Ten Pound Poms". Common clothing items included Lee or Levi's jeans, sweaters and T-shirts (often designed by individual members). Sharpies would try to outdo fellow sharpies by creating the best patterns, colours and detail. Sharpies were known for being violent, although a strict moral code was also evident.

Sharpies gangs in Melbourne included Prahran Sharps, Melbourne Sharps and the A.N.A. Sharps and Anderson Rd Sharpies, from the Broadmeadows region in the mid 1970s. It wasn't unusual for there to be hundreds of Sharpies milling about. They often went to dances and early discos, and because of sheer numbers, they were almost untouchable by the police. This led to excessive violence on behalf of the Sharpies, who would basically fight who they wanted, and take beer and money from who they wanted. The Sharpies subculture faded out due to mistrust between gangs and excessive violence.
In Sydney Sharpie gangs included the "Town Hall Sharps" who congregated in hotels around the Sydney Town Hall notably the Town Hall Hotel and the Macquarie Hotel on the corner of Goulburn Street and Wentworth Avenue. Town Hall Sharps frequented dances at the Wesley Mission Centre in Pitt Street, which also were attended by gangs from Liverpool, Bankstown and Blacktown. In south-east Sydney a gang from the La Perouse area (called La Pa by the locals) were known as the Lapa Sharpies. Lapa Sharpies were atypical as they were largely made up of young Indigenous youth from around La Perouse and did not mix much with the other sharpie gangs.
Typical dress of the Sydney sharpies was running shoes or shoes with a white leather upper and no socks, jeans or straight legged, high-waisted trousers, La Coste style collared t-shirts and braces. Female sharpies or sharpie chicks tended to wear shoes with long socks, short skirts, and collared t-shirts with braces.
Sydney sharpies despised the Sydney surf culture and the focus of their violence was directed towards "Hairs", which referred to surfers, hippies or anyone with long hair.
In Perth, youths in areas such as Medina, Rockingham, Armadale, Kelmscott, Lynwood and Thornlie joined skinhead/Sharpie gangs. Many of these young people were children of recently arrived British migrants who built and ran the BP Kwinana Oil Refinery.


Monday, December 6, 2010

ALBUM OF THE WEEK - Rolling Stones' Beggars Banquet

 
Beggars Banquet is not even my favorite Rolling Stones album cover, but I've always admired it: gritty, dirty, bang-on for hitting the adolescent rock fan (of whatever age) square in the face ... and no doubt pissing off some parents to boot. It reminds me of travels around the world to small rock esque type dingy low lit bars….where the toil of true rock and sweat are born…..

The death of Tom Wilkes, 69, who created this and other rock album covers, reminds me of something that is often not obvious with Beggars Banquet, among many other items in my record collection: it was designed. Every rotten,Trainspotting-esque <http://www.youtube.com/watch?v=eeHRVgLD3AE>  element in the shot is there, not by accident. Says veteran Rolling Stone magazine writer David Fricke: "The magic and the sort of importance of album design was to be able to catch the eye, to try and get a sense of what the music and the personalities were inside and also make you want to buy it."

You can read that comment, and more about Tom Wilkes, here <http://www.rollingstone.com/rockdaily/index.php/2009/07/13/beggars-banquet-harvest-designer-tom-wilkes-dead-at-69/> . Look also for some Rolling Stone links on album covers that matter. Let us know what you rekkon……and let us know your favs too!

ROCK IS NOT EVIL!